Daria Nicolodi. 1960 is to horror what 1939 is to classical Hollywood – a year of exquisite vintage. A vengeful witch returns to possess her descendant in Mario Bava's most famous film. Mario Bava's 'lost' 1974 film Rabid Dogs is a classic case in point. As a result, Shock, while attributed to Mario Bava, is a really a joint creation, directed by both Mario and Lamberto, from a script co-written by Lamberto Bava (to avoid confusion between the Bavas, we’ll refer to Mario Bava as “Bava” and Lamberto Bava as “Lamberto” from this point forward). Despite his reputation as a talented artist during his lifetime, Bava's shy, self-deprecating demeanour prevented him from taking advantage of opportunities that would have furthered his international standing within the film industry, and he turned down multiple opportunities to work in Hollywood. Shudder always brings the goods, but they’ve outdone themselves with a seven-film collection of Italian horror maestro Mario Bava’s greatest hits. Officially Licensed! The best place to start – The Bird with the Crystal Plumage. Ships in 10-12 business days.USA customers: Please allow 3-5 days for delivery.International customers: Please allow 10-14 days for delivery. Many eleme… Sometimes all it takes is the right recommendation to set you on your path from newbie to know-it-all…. His father was a cinematographer in the early days of Italian cinema. I most likely tried to overcome an unexpectedly strong emotion because it had not much to do with the narrative I was watching. Entirely different from the febrile world of Italian gothic, Blood and Black Lace (1964) married eye-popping colours, catwalk chic and lurid pulp fiction to craft what became defined as ‘giallo’ – a name borrowed from murder mystery novels published in Italy with distinct yellow jackets. Mario Bava . “Violence is Italian art”, Lucio Fulci (1927-96) once quipped. Although comic books had served as the basis for countless serials and children's films in Hollywood, Bava's Danger: Diabolik (1968) brought an adult perspective to the genre with its Pop art influence of Andy Warhol and Roy Lichtenstein. A former painter, Bava extended his eye for beauty in composition to forge breathtaking symphonies of colour and light in a series of masterful horror classics. THE HAUNTED WORLD OF MARIO BAVA has contributions from Lamberto Bava (Mario's son), Luigi Cozzi, David Del Valle, and Roberto Curti. If nothing else, watch this film for the first 18 minutes of leather-clad, gravitationally challenged, analog scifi magic. Some films are just born unlucky. MGM . This is especially true when you compare del Toro's work on Crimson Peak to the work of one of Italy's greatest horror filmmakers, Mario Bava. Studio MGM . Special effects creator. Another horrific moment I adore can be found in Mario Bava’s Planet of the Vampires (1965). Mario Bava was born in Sanremo, Liguria on 31 July 1914. It is elevated above carbon copy rip-off, thanks to its riveting socio-political context and Bava’s masterful, unusual direction. Several books have been published about Mario Bava: Mario Bava by Pascal Martinet (Edilig, 1984) and Mario Bava edited by Jean-Louis Leutrat (Éditions du Céfal, 1994) in French; Mario Bava by Alberto Pezzotta (Il Castoro Cinema, 1995) in Italian; The Haunted Worlds of Mario Bava by Troy Howarth (FAB Press, 2002) and most recently, the massive critical biography Mario Bava: All the Colors of the Dark by Tim Lucas (Video Watchdog, 2007; .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-9633756-1-X). Loaded with creepy atmosphere, luscious black & white photography and excellent acting. (1966) and Bay of Blood (1971, aka Twitch of the Death Nerve).I’d seen the former relatively recently, having taught it a few years ago, but it had been ages since I’d revisited the latter, except to show excerpts in class. A Bay of Blood!Directed by the fantastic Mario Bava! Continue this thread level 1. More. it is after all very trivial. Add to Cart Notify me when this product is available: Submit. I Coltelli del Vendicatore (Knives of the Avenger, 1966) It is the end of the year 1964 when director … Mario Bava assure une bonne réalisation dans un espace réduit (un appartement) et l'histoire bénéficie d'une prestation de Michèle Mercier, non seulement belle, mais surtout convaincante. During the late 1950s, his eventual career trajectory as a director began when he was relied upon to complete projects begun by or credited to his colleague Riccardo Freda and other filmmakers, including I Vampiri (1957) (the first Italian horror film of the sound era), The Day the Sky Exploded (1958) (the first Italian science fiction film), Caltiki – The Immortal Monster (1959) and The Giant of Marathon (1959).[1]. In 1959, Bava completed Caltiki - the Immortal Monster, again for Riccardo Freda who left the project prematurely, and worked on the lighting and special effects for two Steve Reeves epics: Hercules Unchained and The Giant of Marathon (also co-director). Ivan Rassimov Kell/Derry. AIP definitely were, because they undertook to re-edit and redub the Bava’s original, and removed anything they didn’t like (such as an eyeball pierced with a wooden stick – a surrealist action if ever there was one). Bava directed what is now regarded as the earliest of the Italian giallo films The Girl Who Knew Too Much (1963) and Blood and Black Lace (1964). https://filmschoolrejects.com/10-giallo-films-for-beginners Its opening scene, for example, is unforgettable. Also did uncredited special effects. What Mario Bava began, Dario Argento perfected, and while the latter has better-known films (Suspiria, 1977) it’s his 1975 thriller that remains the best giallo ever made. Mario Bava directed (or co-directed) twenty-four features during an eighteen year period, 1960 to 1978. Bava was originally hired as the cinematographer, but when Freda walked out on the project midway through production, Bava completed the film in several days, even creating the innovative special effects that were needed. Actors on set state Bava directed the film. In 1960, Bava directed the gothic horror classic Black Sunday, his first solo directorial effort, which made a genre star out of Barbara Steele. With Ubaldo Terzano, Bava’s chief camera operator and sometime cinematographer (Bava was the unofficial cinematographer on all his films), the pair opted for trompe l’oeil compositions and expressive, unreal lighting – greens, reds and purples – co-mingling with void-like shadows. His 1965 sci-fi/ horror film Planet of the Vampires was a thematic precursor to Alien (1979). "Kill Baby, Kill" Vengeful spirits pop up again in one of Bava’s best color pictures. All Boards are hand numbered and screen printed on 1/8" birch. There’s a guttural scream, and blood explodes from the eye sockets in the mask, running down the cheeks like tears. Mario bava (kingofmacabre)'s profile on Myspace, the place where people come to connect, discover, and share. A defining film in Italian horror, The Mask of Satan (a.k.a. Once you select Rent you'll have 14 days to start watching the movie and 48 hours to finish it. Many experts of the genre have cited The Girl Who Knew Too Much (1963) as the birth of the giallo, but I say this elegant slasher picture and its mix of poetic, haunting beauty with Grand Guignol gore and a bent of sexual perversity is where it really began. Mario Bava Wiki, Biography, Age, Net Worth, Contact & Informations Biography Filmography TV series Video Photo News Awards Here you can learn about Mario Bava's career and curiosities about the private life, read the latest news, find all the awards won and watch photos and videos. Mario Bava (31 July 1914 – 25 April 1980[2]) was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter,[3] frequently referred to as the "Master of Italian Horror"[4] and the "Master of the Macabre". Took over direction from Freda. Mario bava (kingofmacabre)'s profile on Myspace, the place where people come to connect, discover, and share. Mario Bava's son and frequent assistant director Lamberto Bava, later became a noted fantasy and horror film director in his own right. Registered charity 287780. Some he directed, too. If your a newcomer to the master of Italian Horror then this is an excellent movie to start … Bava later did special effects matte work on Dario Argento's 1980 film Inferno. If there’s one name most often associated with the giallo it’s Dario Argento.A former film critic and screenwriter, Argento turned to directing with 1970’s The Bird with the Crystal Plumage, which stars Tony Musante as Sam Dalmas, an American writer in Rome. Bava became a cinematographer himself in 1939, shooting two short films with Roberto Rossellini. Mario Bava took a vital role in the creation of the modern horror film. To me, this is without a doubt Bava's best film. Posted on September 30, 2015 March 25, 2016 by Kenneth George Godwin. Close. 3 years ago. But I think my opinion could have been swayed by not having English subtitles, only having to deal with Youtube trying to translate the Italian subtitles into English, in the most butchered way. 1971's A Bay of Blood is considered one of the early slasher films, and was explicitly imitated in Friday the 13th Part 2. For if much of horror cinema is artists dreaming up horrible ways to die, Bava excelled at it. ©2021 British Film Institute. The result is a must-see for fans of both father and son. More. His work has proved very influential. The climactic stalking of Clara in her bedroom is equally impressive, and likewise enhanced by Bava’s delectable multi-hued illumination. He made all sorts of pictures: comedies, Viking sagas, comic-book adaptations, sword-and-sandal epics and spaghetti westerns. Subscribe now for exclusive offers and the best of cinema. Start Your Free Trial Member Reviews. Without mario Bava 's 'lost ' 1974 film Rabid Dogs is a case. 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