Use the HTML below. The film is banned in Iran and the director had recorded it secretly. Set in a lushly forested part of northern Iran, it begins with a young man named Javad (Mohammad Valizadegan) stripping off his clothes and bathing in a river; it’s an unusually sensual act for an Iranian film, and one that seems to suggest Javad’s need for ritual purification. In Persian and German, with subtitles. The conflict is agonizing, the controversy among the soldiers heated and variegated, and Pouya’s eventual decision gives the episode the surprise and desperate momentum of a thriller. This cycle of violence amid animals seems to mirror a socially decreed one among humans, a practice that has given Bahram a secret he struggles to tell his niece. Running time: 2 hours 31 minutes. Their extraordinary efforts demonstrate the amazing tenacity and resilience that keep Iranian filmmakers at the forefront of world cinema. Full Cast and Crew | Official Sites | Company Credits | Filming & Production | Technical Specs. Khosrow and Morteza set out on a mission to kill someone. With Baran Rasoulof, Zhila Shahi, Mahtab Servati, Mohammad Valizadegan. A Film by Mohammad Rasoulof, 2020, Germany, 152'Every country that enforces the death penalty needs people to kill other people. The film’s final episode, “Kiss Me,” suggests how such burdens can extend over generations, entailing secrets and guilt that poison and deform the lives they touch. Reviewing it here, I called it “easily the most daring and politically provocative film yet to emerge from Iran.”. The dramatic anthology… “There Is No Evil” YouTube/screenshot One of the most searing films to emerge out of the 2020 Berlin Film Festival, and the movie that took the event’s top prize, was “ There Is No Evil .” While the government occasionally stages outdoor executions in which those convicted of especially heinous crimes are hung from large cranes in public squares, most executions happen behind prison walls, where those doing them—sometimes the victims’ family members—do so by “pulling the stool” from under the convict who stands on it with a noose around the neck. The second tale takes place late at night, depicting a man desperately trying to escape his execution duty the following morning. Six young soldiers in a bleak military cell argue over the terrible choice facing one of them. Undine works as a historian lecturing on Berlin's urban development. Whatever they decide, it will directly or indirectly affect their lives, their relationships, and their consciences. They make friendly conversation but there are different currents flowing independently of each other, both above and below the surface. The remaining three stories concern people who are obliged to kill, rather than choosing to. Well played, well told, well shot, well directed. There Is No Evil The second tale takes place late at night, depicting a man desperately trying to escape his execution duty the following morning. There is No Evil is frequently, starkly poignant, but it’s successes are somewhat mitigated by a lack of culminating cohesion. “There Is No Evil,” which won the Golden Bear at the Berlin International Film Festival last year, is one of the most kinetic films ever made in secret. Rahmat has been asked to meet the inhabitants of these islands to collect their tears. Rasoulof’s skills as a director have grown throughout his 20-year career, and he and cinematographer Ashkan Askkani give the film great visual nuance and richness that are especially impressive in the very different outdoor settings of the third and fourth episodes. The assassination ought to be arranged as a suicide. Thanks to Rasoulof’s skills, these scenes are wonderfully well-observed and involving. Although many executions in the immediate post-Revolutionary period were accomplished by firing squad, hanging has been the preferred mode of dispatch in recent years. Because “There Is No Evil” has landed in international headlines — the director, Mohammad Rasoulof, made the movie covertly and without the approval of Iranian authorities, and a ban on his leaving the country prevented him from accepting the top prize at the Berlin International Film Festival in person last year — revealing what it’s about seems fair. Opens Friday, May 14th Shot in secret and smuggled out of Iran, There is No Evil is an anthology film comprising four moral tales about men faced with a simple yet unthinkable choice – to follow orders to enforce the death penalty, or resist and risk everything. 26 of 29 people found this review helpful. Nobody in “There Is No Evil” has it easy: There’s no simple moral code when every possible option leads to a point of no return. Dissident writer and director Mohammad Rasoulof’s anthology film There is No Evil (Sheytan Vojud Nadarad) presents the moral paradoxes an authoritarian regime imposes on ordinary citizens. Although for years people have been giving their tears to Rahmat, no one knows exactly what he has been doing with them. Whether you're ready for the return of your favorite show or need to catch up, May is packed with an array of returning series. That flaw notwithstanding, the film is a powerful work of moral courage and urgency. “There is No Evil,” is a profound and uncomfortable exploration of the blurry lines between personal morality and right and wrong, by Iranian filmmaker Mohammad Rasulof. A dynamic blend of miniature plots involving suspense, romance, and drama, THERE IS NO EVIL is an enthralling film from start to finish. There Is No Evil devotes around a half hour to each chapter, and this languid, intentional pacing allows for characters to grow into more than just “follower” or “objector.” In opening segment “There Is No Evil,” the daily routine of family man Heshmat (Ehsan Mirhosseini) is boringly relatable. In it, we watch as a middle-aged, seemingly ordinary middle-class guy named Heshmat (Ehsan Mirhosseini) retrieves his car from an underground parking garage in the very early morning, then goes about a daily routine that includes exchanges with his wife, caring for his mother-in-law, picking up his daughter at school, and having an argument at the bank. It’s a richly humanistic contemplation on the death penalty in Iran and the questions it raises. Yet both directors have gone on working in defiance of all the official censure and obstruction, turning out films that win acclaim around the world while remaining banned in Iran. What do you think of the death penalty? In the following decade, a new form of quasi-execution emerged; called the “Chain Murders,” these involved scores of writers, intellectuals and activists being brutally slain by shadowy government operatives, deaths that not only silenced important regime opponents but also served as bloody warnings to all of Iran’s liberal intelligentsia. Mohammad Valizadegan in There Is No Evil (Kino Lorber). Darya (Baran Rasoulof, the director’s daughter) is a bright young medical student who has lived in Germany since childhood and arrives in Iran to visit her father’s brother, Bahram (Mohammad Seddighimehr), and his wife, Zaman (Jilla Shahi). But when the man she loves leaves her, the ancient myth catches up with her. Though the couple were apparently once established professionals, they now live a secluded life in the remote countryside, where they keep bees and deal with the predations of nature: they had chickens till too many were killed by foxes, they tell Darya, then they got a dog to protect against foxes but it was killed by wolves. His conscience struggles mightily against the command, but if he refuses it, he will sacrifice his dream of moving abroad with his girlfriend. There is no grandstanding here. 'There Is No Evil' Tops List Of New Releases kpbs.org - Beth Accomando • 1d ‘Profile,’ ‘Spiral’ and a pair of missable films also open Cinemas are open again but … There is No Evil is not a protest film for the sake of protesting or in a straightforward and accusatory manner of an investigative documentary. Want to share IMDb's rating on your own site? Need some help finding the best things to watch on Netflix? Keep track of everything you watch; tell your friends. It is, in fact, so much not a standard “issues film” that I even hesitate to say it is “about capital punishment.” Better, perhaps, to say that it’s a determined probe into the soul of a nation that permits so much legal bloodshed. “There Is No Evil” closes with its most sentimental entry, but one devoid of surprise, and it manages to relate back to each passage leading up to it. It is almost impossible to summarize each distinct chapter without revealing an important story point acting as a spoiler. Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. There Is No Evil was written, directed and produced by Mohammad Rasoulof, Kaveh Farnam and Farzad Pak. But don’t go into it expecting a stark, obvious broadside. Four excellently told stories about the very personal impact the death penalty can have on its executors. The executions continued after the regime’s rule was firmly established, even while Iran suffered hundreds of thousands of deaths during the prolonged agony of its war with Iraq in the 1980s. There Is No Evil consists of four stories, and the first one alone is a masterpiece, a shattering tale that lulls us with the banal before unleashing its savageness. Shot in secret and smuggled out of Iran, THERE IS NO EVIL is an anthology film comprising four moral tales about men faced with a simple yet unthinkable choice – to follow orders to enforce the death penalty, or resist and risk everything. In 2017, Amnesty International indicated that Iran accounted for more than half of the world’s executions. “There Is No Evil,” which won the Golden Bear at the Berlin International Film Festival last year, is one of the most kinetic films ever made in secret. 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